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All text copyright ©
2002 by Gershen Kaufman.
I. POWERLESSNESS -- AFFECT -- STRESS
CYCLES
THEORY:
AFFECT THEORY
SCRIPT THEORY
AFFECT, SCENE, SCRIPT
SCENE CONSTRUCTION
POWER/POWERLESSNESS
AFFECT/STRESS
AFFECT DYNAMICS OF POWERLESSNESS
TOOLS:
COLLECTING HAPPINESS
COLLECTING ADEQUACY/PRIDE
POWERLESSNESS SCENE
PSYCHOLOGICAL THEORIES
1. INCLUDE SPECIFIC THEORIES OF:
 | PERSONALITY |
 | PSYCHOPATHOLOGY |
 | PSYCHOTHERAPY |
2. GENERAL ASSUMPTIONS ABOUT THE DETERMINANTS OF
PERSONALITY:
 | PRIMARY MOTIVES |
 | ORGANIZING PRINCIPLES |
 | CRITICAL DEVELOPMENTAL EVENTS |
3. EMBEDDED IN PSYCHOLOGICAL THEORIES IS AN IDEOLOGY
ABOUT:
 | NATURE OF THE HUMAN BEING |
 | VISION OF OPTIMAL DEVELOPMENT |
 | INTERFACE BETWEEN HUMAN BEINGS AND THE UNIVERSE |
 | INTERACTION BETWEEN: |
PSYCHE AND SOMA,
MIND AND BODY,
CONSCIOUSNESS AND BRAIN
 | WHAT IS GOOD AND WHAT IS BAD |
4. EACH THEORY IS A SPECIFIC LANGUAGE OF INNER EXPERIENCE
5. VIEW OF THE SELF:
 | DEVELOPMENT --------- CRUCIAL EVENTS |
 | MOTIVATION ------------ GOALS OF HUMAN ACTIVITY |
 | ORGANIZATION -------- WHAT SHAPES AND PATTERNS THE SELF |
 | CHANGE -------------------- PSYCHOTHERAPY |
6. EXAMINING DIFFERENT PSYCHOLOGICAL LANGUAGES
 | CONCEPTS |
 | DEFINITIONS |
 | PHENOMENOLOGICAL/OBSERVABLE REFERENT |
 | INTERRELATIONSHIPS AMONG CONCEPTS |
 | DICTIONARY OF TRANSLATION |
ORGANIZING PRINCIPLES
| PSYCHOANALYTIC |
LIBIDO; DRIVES |
| ADLERIAN |
LIFESTYLE |
| JUNGIAN |
ARCHETYPES |
| OBJECT-RELATIONS |
RELATIONSHIPS |
| INTERPERSONAL |
RELATIONSHIPS |
| BIOENERGETICS |
BODY |
| RATIONAL-EMOTIVE |
COGNITION |
| COGNITIVE BEHAVIORAL |
COGNITION |
| FAMILY SYSTEMS |
FAMILY |
| TRANSACTIONAL ANALYSIS |
EGO STATES |
| EXISTENTIAL |
FUTURE, PURPOSE |
| AFFECT THEORY |
AFFECT |
| SCRIPT THEORY |
SCENE; SCRIPT |
AFFECT THEORY: MOTIVATIONAL
SUB-SYSTEMS
AFFECT IS PRIMARY OVER ALL OTHER SUB-SYSTEMS WITHIN THE SELF:
 | PERCEPTION |
 | IMAGERY |
 | COGNITION |
 | DECISION |
 | ACTION |
 | MEMORY |
 | DRIVES |
 | INTERPERSONAL NEEDS |
 | FUTURE PURPOSES |
AFFECT AMPLIFIES EACH OF THESE SUB-SYSTEMS
AFFECT SYSTEM
Positive Affects
|
| INTEREST--EXCITEMENT: |
Eyebrows Down, Track, Look,
Listen |
| ENJOYMENT--JOY: |
Smile, Lips Widened Up and Out |
Resetting Affect
|
| SURPRISE--STARTLE: |
Eyebrows Up, Eye Blink |
Negative Affects
|
| DISTRESS--ANGUISH: |
Cry, Arched Eyebrows, Mouth
Down, Tears, Rhythmic Sobbing |
| FEAR--TERROR: |
Eyes Frozen Open, Pale, Cold,
Sweaty, Facial Trembling, With Hair Erect |
| ANGER--RAGE: |
Frown, Clenched Jaw, Red Face |
| SHAME--HUMILIATION: |
Eyes Down, Head Down |
| DISSMELL: |
Upper Lip Raised |
| DISGUST: |
Lower Lip Lowered and Protruded |
PRINCIPLES OF AFFECT THEORY
AFFECT IS THE PRIMARY INNATE BIOLOGICAL MOTIVATING
MECHANISM
AFFECTS ARE CORRELATED SETS OF RESPONSES:
 | FACIAL, GLANDULAR, MUSCULAR |
AFFECTS ARE TRIGGERED AT SUBCORTICAL CENTERS WHERE
SPECIFIC AFFECT PROGRAMS ARE STORED
AFFECT SIMULTANEOUSLY CAPTURES THE FACE, HEART, AND
ENDOCRINE GLANDS
WE EXPERIENCE AFFECT PRIMARILY ON THE FACE
AFFECT IS AN ANALOG AMPLIFIER, MEANING THAT AFFECT IS
ANALOGOUS TO ITS ACTIVATING TRIGGER, JUST AS PAIN IS ANALOGOUS TO INJURY:
| TERROR: |
HAIR STANDS ON END, SWEATING |
| ANGER: |
FACE REDDENS, BLOOD PRESSURE
RISES |
| ENJOYMENT: |
BLOOD VESSELS DILATE, FACE
BECOMES PLEASANTLY WARM, SMILING |
AFFECT IS ANALOGOUS TO ITS ACTIVATING TRIGGER IN THE
QUALITY OF FEELINGS FROM ITS SPECIFIC RECEPTORS:
 | ONE FORM OF AMPLIFICATION |
AFFECT IS ANALOGOUS TO ITS ACTIVATING TRIGGER IN ITS
PROFILE OF ACTIVATION, MAINTENANCE, AND DECAY:
 | SECOND FORM OF AMPLIFICATION |
AFFECT AMPLIFIES AND EXTENDS THE DURATION AND IMPACT OF
WHATEVER TRIGGERS IT, MAKING GOOD THINGS BETTER OR BAD THINGS WORSE:
 | AFFECT IS IMMEDIATELY ACTIVATED AND COASSEMBLED WITH ITS
ACTIVATOR |
AFFECT SIMULATES ITS ACTIVATOR IN HOW IT RESPONDS OVER
TIME, IN ITS ACTIVATION PROFILE:
 | AFFECT ADDS A SPECIAL ANALOGIC QUALITY, SIMILAR TO ITS
ACTIVATOR, WHICH IS EITHER REWARDING OR PUNISHING |
AFFECT JOINS TOGETHER ITS OWN ACTIVATOR AND THE RESPONSE
WHICH FOLLOWS INTO A COASSEMBLY:
 | ACTIVATING TRIGGER, AFFECT, AND RESPONSE |
AFFECT AMPLIFIES BOTH AT ONCE -- ACTIVATOR AND RESPONSE --
BY IMPRINTING EACH WITH THE SAME AMPLIFICATION PATTERN
INTERCONNECTION OF ACTIVATING TRIGGER, AFFECT, AND
RESPONSE IS NOT LEARNED
THEIR INTERCONNECTION ARISES FROM THE OVERLAP IN TIME OF
THE PARTICULAR AFFECT WITH WHATEVER PRECEDES AND FOLLOWS IT
AFFECT FUNCTIONS TO AMPLIFY: ALL OTHER FACETS OF
HUMAN EXPERIENCE, INCLUDING THE EVENTS WHICH ACTIVATE IT ALONG WITH ANY RESPONSES THAT
FOLLOW
RESPONSES EVOKED BY AFFECT INCLUDE:
 | RETRIEVED MEMORIES |
 | CONSTRUCTED THOUGHTS |
 | MOTOR ACTIONS |
 | PHYSIOLOGICAL DRIVES |
 | INTERPERSONAL RELATIONS |
AMPLIFICATION PATTERN EXERTED BY AFFECT:
| EXCITEMENT: |
THOUGHTS RACE, PACE QUICKENS |
| FEAR: |
PACE OF THOUGHTS OR ACTIONS IS
FASTER STILL |
| ENJOYMENT: |
PACE OF THOUGHTS OR ACTIONS
SLOWS IN RELAXED CONTENTMENT |
| SHAME: |
EYES AND HEAD LOWER, RETREAT
FROM HEIGHTENED VISIBILITY, URGE TO COVER, TO HIDE, TO DISAPPEAR FROM SIGHT |
THE CENTRAL CONSTRUCTS
AFFECT:
 | AFFECT IS AN ANALOG AMPLIFIER |
SCENE:
 | THE SCENE IS THE BASIC ELEMENT IN LIFE AS IT IS
LIVED |
 | SCENES INCLUDE AT LEAST ONE AFFECT AND ONE OBJECT
OF THAT AFFECT |
 | PERCEPTION PARTITIONS SCENE INTO FIGURE AND GROUND |
SCRIPT:
 | RULES FOR PREDICTING, INTERPRETING, RESPONDING TO,
AND CONTROLLING A MAGNIFIED SET OF SCENES |
SCENE CONSTRUCTION AND REACTIVATION
LANGUAGE

AFFECT
IMAGERY
THE POWER -- POWERLESSNESS CONTINUUM
POWER

POWERLESSNESS
POWER AND POWERLESSNESS ACTIVATE
AFFECT
POWER IS AN ACTIVATOR OF POSITIVE AFFECT:
 | EXCITEMENT
|
 | ENJOYMENT
|
 | SURPRISE
|
POWERLESSNESS IS AN ACTIVATOR OF NEGATIVE AFFECT:
 | ANGER
|
 | FEAR
|
 | DISTRESS
|
 | SHAME
|
 | DISSMELL
|
 | DISGUST
|
 | CONTEMPT (BLEND)
|
 | DEPRESSION (BLEND)
|
POWER, POWERLESSNESS, AND
AFFECT
| POWER

POWERLESSNESS |

|
EXCITEMENT
ENJOYMENT
SURPRISE |

|
ANGER
FEAR
DISTRESS
SHAME
DISSMELL
DISGUST
CONTEMPT (BLEND)
DEPRESSION (BLEND) |
SECURITY AREAS
Security Areas Require the Experience of
Sufficient Power, Defined by the Need to Predict and Control:
 | RELATIONSHIPS/FAMILY
|
 | HEALTH/BODY
|
 | HOME
|
 | LIFE ROLE
|
 | CAREER/WORK
|
 | FUTURE SCENES OF PURPOSE
|
 | IDENTITY
|
 | AGING
|
POWERLESSNESS -- AFFECT -- STRESS
CYCLE
POWERLESSNESS

SECURITY AREAS:
RELATIONSHIPS/FAMILY
HEALTH/BODY
HOME
LIFE ROLE
CAREER/WORK
FUTURE SCENES OF PURPOSE
IDENTITY
AGING |

NEGATIVE
AFFECTS:
|
ANGER
 |
RAGE, VIOLENCE |
FEAR (Anxiety, Terror)
 |
PANIC, WORRYING |
DISTRESS
 |
CRYING |
SHAME (Inferiority)
 |
WITHDRAWAL |
DISGUST
 |
REJECTION |
CONTEMPT (Anger & Dissmell)  |
SUPERIORITY |
SHAME AND DISTRESS
 |
DEPRESSION |
FEAR AND DISTRESS
 |
CLINGING |

SUPPRESSION

BACKED-UP AFFECT

ENDOCRINE CHANGES

STRESS

CONSEQUENCES OF
AFFECT DYNAMICS:
Violence
Suicide
Psychosomatic Illness
Abuse
Addiction |
AFFECT DYNAMICS OF POWERLESSNESS
| UNEMPLOYED AUTO WORKERS |
FAMILY FARMERS |
PERSONS WITH AIDS |
MINORITIES |
SECURITY AREAS:
|
| WORK/CAREER
FAMILY
HOME
|
IDENTITY
FUTURE SCENES
WORK/CAREER |
HEALTH
WORK/CAREER
FAMILY
FRIENDS
HOME |
IDENTITY
WORK/CAREER
FAMILY
FRIENDS
HOME |
AFFECTS:
|
RAGE
SHAME
DISTRESS
FEAR |
RAGE
SHAME
DISTRESS
FEAR |
TERROR
SHAME
RAGE
DISTRESS |
SHAME
FEAR
RAGE
DISTRESS |
PRINCIPLES FOR REGAINING POWER:
1. IDENTIFYING ALTERNATIVE CHOICES FOR COPING DIFFERENTLY
WITH SITUATION
2. CONSCIOUS REGULATION AND RELEASE OF AFFECT:
 | STORING POSITIVE AFFECT |
 | LETTING GO OF NEGATIVE AFFECT |
INTERPLAY AMONG
LIVING CONSCIOUSLY, CHOICE, AND POWER
POWER

CHOICE
LIVING CONSCIOUSLY
SELF-ESTEEM
| DEFINITION: |
PRODUCED BY: |
ESTEEM FOR SELF
VALUING OF SELF
PRIDE IN SELF |
ENJOYMENT AND/OR EXCITEMENT
ABOUT
SELF AND/OR ACCOMPLISHMENTS |
| |
| HIGH SELF-ESTEEM RESULTS FROM: |
LOW SELF-ESTEEM RESULTS FROM: |
PERSONAL POWER
PRIDE IN SELF |
POWERLESSNESS
SHAME |
SELF-ESTEEM TOOLS
COLLECTING HAPPINESS:
 | FIVE EVENTS THAT PUT A SMILE ON YOUR
FACE
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COLLECTING ADEQUACY/PRIDE:
 | FIVE EVENTS THAT LEAVE YOU FEELING PROUD
OF YOURSELF
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FIVE KEY STEPS IN THE PROCESS:
 | EXPERIENCE THE EVENT CONSCIOUSLY
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 | EXPERIENCE THE FEELINGS CONSCIOUSLY
|
 | STORE IT INTERNALLY AS A SCENE
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 | WRITE IT DOWN IN A DAILY JOURNAL
|
 | LATER RECALL IT AND RELIVE IT
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All text copyright © 2002
by Gershen Kaufman.
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